DiGiCo
S21

DiGiCo

S21

DiGiCo’s world-renowned innovation, deep feature-set and flagship audio quality of our high-end digital consoles is within reach of everyone. How? Meet the S21 – a world-class DiGiCo mixing console at an astonishing price. Step up to the S21’s worksurface, complete with dual P-CAP multi-touch screens, 48 flexi-channels, the equivalent of 46 buses and benchmark 96kHz performance, and this console’s heritage is clear – the S21 is every inch a DiGiCo desk. It’s also a revelation in terms of what an introductory digital console can deliver. Based on the same pioneering design approach as the industry-leading SD series, the S21 boasts the same proprietary audio algorithms plus a new ARM QuadCore RISC processor which runs in harmony with the FPGA core. The result is faster processing with lower power consumption, all packaged in the workflow that the industry’s most respected engineers rely upon – now available to everyone. Under the Hood Familiar to the touch and built for the road, the S21 offers mixing without limits. The integration of a high power QuadCore SoC with high bandwidth memory, a low power 484-ball array FPGA and a fourth-generation control SHARC DSP offers unprecedented power today as well as the potential for a future processing upgrade path. The compact footprint of the S21 has no relationship to the scale of processing power going on under the polycarbonate worksurface. The two touchscreens each provide 10 channel strips, giving not only clear visual feedback and control of 20 simultaneous channels for a single user, but also the possibility when mixing large shows for more than one operator to take advantage of the newly designed drag, swipe and drop feature that simplifies custom fader layouts. Visual feedback is further reinforced by the HTL (Hidden Till Lit) functionality of the encoder rings, while parameters currently not in use are automatically greyed out, always drawing your attention to the right controls. The dual screen concept aims to aid the new user learning curve and remove distractions by not only giving you more channels to view at any one time, but also allowing one screen to be used as a setup or master whilst the other is utilised for operation. Both touchscreens are responsive to EQ shaping, with fine-tuning available via the tactile and intuitive rotary encoders. Altering the Channel Bank layout, and mixing and matching any channel, aux, group, control group, or matrix within a bank, is easily accomplished by drag and drop at the touch of a screen. I/O The S21’s local I/O section includes 24 mic/line inputs, 12 line outs, two mono AES/EBU, and two DMI (DiGiCo Multichannel Interface) card slots which interface to standard industry formats such as Analogue, MADI, Dante, Waves SoundGrid, or Calrec’s Hydra 2 Network. The console connects seamlessly with the DiGiCo remote I/O D-Rack providing an additional 32 inputs and up to 16 outputs. Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting the DiGiCo SoundGrid DMI card linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.

Product code
S21
Category
Audio
Family
consoles

Specifications

General Specifications

48 x Input flex-channels Mono/Stereo (equivalent of 96 DSP channels)
46 busses
16 x flexi-busses Mono/Stereo (equivalent of 32 DSP busses), Stereo Master (2), Solo busses (2 stereo, 4 total), and 10 x 8 Matrix (8)
10 x Control Groups
1 x Compressor per channel and buss
1 x Gate per channel and buss (switchable to ducker, or compressor with side chain access)
16 x assignable 32 band Graphic EQs
8 x FX engines (reverbs, delays, w/modulation and enhancer)
21 x assignable DiGiTuBes
21 x assignable Multiband Compressors
21 x assignable Dynamic EQ’s
User definable Macros
An extremely high power headphone amplifier with 1/4 inch and mini jack socket
96kHz as standard
24 mic/line inputs
12 analogue outs
2 AES/EBU I/O (mono)
Word Clock I/O
1 GPI and 1 GPO
DVI out (for an external monitor)
2 DMI Card slots (up to 64 I/O per slot)
2 Ethernet connections for Networking
2 x 24 segment master/solo meters
Touch sensitive rotaries with integrated switch & HTL
2 x multi-touch screens
21 x touch sensitive moving faders
4 x layers of banks of 10 faders
Customisable bank and channel layout
Snapshots
Integrated USB2 Audio I/O interface for recording and playback of up to 48 channels

Audio Specification

Sample Rate 48kHz, 96kHz
Processing Delay 2ms Typical @ 48k (48 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96kHz
Internal Processing Up to 40-bit, Floating Point
A>D & D>A 24-bit Converter Bit Depth
Frequency Response +/- 0.6dB (20Hz – 20kHz)
THD <0.05% @ Unity Gain, 10dB Input @ 1kHz
Channel Separation Better Than 90dB (40Hz – 15kHz)
Residual Output <90dBu Typical
Noise (20Hz – 20kHz)
Microphone Input Better Than -126dB Equivalent Noise
Maximum Output Level +22dBu
Maximum Input Level +22dBu

Processing Channel Specification Input Channel

Input Name
User-Defined
Channel Selection
Mono / Stereo
Input Routing
Main Input
Analogue Gain
-20 to +60dB
Phase
Normal / Reverse
Digital Trim
40 to +40dB
Delay
0 – 682ms
DiGiTuBe Drive
0.01 – 50.0
Bias
0 – 6
LPF
20 – 20kHz, 24dB/Oct
HPF
20 – 20kHz, 24dB/Oct
Insert A
(Pre EQ/Dyn) On/Off
Equalisation 4 Band EQ
Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hishelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.90 (Shelf)
Dynamics 1
Single or 4 x Multiband (3-Band) Compressor; On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee; Hard, Med, Soft
Dynamics 2
On/Off Gate / Ducker Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor; On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Link; Any Channel / Buss S/C Source : Any Source S/C Listen : On/Off S/C Filter Freq/Width: 20Hz – 20kHz
Insert B
(Post EQ/Dyn) On/Off
Mute
Channel Mute
Solo
Solo Buss 1 / Solo Buss 2 / Both,
Channel Safe
Socket Properties, Input Route, Mono/Stereo, Label, Filters, Trim, Delay, Tube, Insert A, EQ, Dyn1, Dyn2, Insert B, Aux, Group Assigns, Pan, Fade, Mute, Direct Outs, Full Safe
Output
Routing Buss,
Insert A, Insert B,
Direct
Post-Fade
Fader
100mm Motorised Fader ∞ to +10dB

Processing Channel Specification Aux / Group / Matrix Output

Name
User-Defined
Phase
Normal / Reverse
Digital Trim
-40 to +40dB
Delay
0 – 682ms
DiGiTuBe Drive
0.01 – 50.0 Bias 0 – 6
LPF
20 – 20kHz, 24dB / Oct
HPF
20 – 20kHz, 24dB / Oct
Insert A
(Pre EQ/Dyn) On/Off
Equalisation 4 Band EQ
Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hishelf, Hi/Hishelf) On/Off Freq; 20 – 20kHz Gain; +/- 18dB Q: 0.1 -20 (Parametric) / 0.10-0.90 (Shelf)
Dynamics 1
Single or 4 x Multiband (3-band) Compressor; On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1:1 – 50:1 Gain; 0 to +40dB Hi Crossover; 20Hz – 20kHz Lo Crossover; 20Hz – 20kHz Knee; Hard, Med, Soft
Gate / Ducker Threshold; -60 – 0dB Attack; 50us – 100ms Hold; 2ms – 2s Release; 5ms – 5s Range; 0 – 90dB Key; Any Source Key Listen Freq/Width; 20 – 20kHz Compressor On/Off Threshold; -60 – 0dB Attack; 500us – 100ms Release; 5ms – 5s Ratio; 1
1 – 50:1 Gain; 0 to +40dB Link; Any Channel/Buss S/C Source: Any source S/C Listen: On/Off S/C Filter Freq/Width: 20Hz – 20kHz
Insert B
(Post EQ/Dyn) On/Off
Mute
Channel Mute
Solo
Solo Buss 1 / Solo Buss 2 / Both,
Channel Safe
Mono/Stereo, Bus Mode, Label, Filters, Trim, Delay, Tube, Insert A, EQ, Dyn1, Dyn2, Insert B, Group Assigns, Fade, Mute, Direct Outs, Full Safe
Output Routing
Outputs, Insert A, Insert B
Fader
100mm Motorised Fader ∞ to + 10dB

Documents

Documents are hosted by the manufacturer; these are links to their files.

Specification from DiGiCo