ARRI

ARRI
ALEXA 35
Explore ARRI's top-tier ALEXA 35 Camera. A Super 35 format, 4k camera outbounding former standards for digital cinematography, lower base price, flexible feature set. ARRI - Oscar Winning Cameras
- Product code
- ALEXA-35
- Category
- Cameras & Optics
- Family
- cine-systems
- Weight
- 2.9 kg
- Power
- 90 W
Specifications
Technical Data
- Model
- ALEXA 35
- Sensor Type
- Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array
- Sensor Maximum Number of Photosites and Size
- 4608 x 3164 27.99 x 19.22 mm / 1.102 x 0.757" Ø 33.96 mm / 1.337"
- Sensor Frame Rates
- 0.75 - 120 fps*
- Weight
- ∼2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))
- Photosite Pitch
- 6.075 μm
- Sensor Active Image Area (photosites)
- 4.6K 3:2 Open Gate: 4608 x 3164* 4.6K 16:9: 4608 x 2592* 4K 16:9: 4096 x 2304 4K 2:1: 4096 x 2048 3.8K 16:9: 3840 x 2160 3.3K 6:5: 3328 x 2790* 3K 1:1: 3072 x 3072* 2.7K 8:9: 2743 x 3086 2K 16:9 S16: 2048 x 1152
- Sensor Active Image Area (dimensions)
- 4.6K 3:2 Open Gate: 28.0 x 19.2 mm / 1.102 x 0.756" 4.6K 16:9: 28.0 x 15.7 mm / 1.102 x 0.618" 4K 16:9: 24.9 x 14.0 mm / 0.980 x 0.551" 4K 2:1: 24.9 x 12.4 mm / 0.980 x 0.490" 3.8K 16:9: 23.3 x 13.1 mm / 0,918 x 0.516" 3.3K 6:5: 20.22 x 16.95 mm / 0.796 x 0.693" 3K 1:1: 18.7 x 18.7 mm / 0.737 x 0.737" 2.7K 8:9: 16.7 x 18.7 mm / 0.656 x 0.738" 2K 16:9 S16: 12.4 x 7.0 mm / 0.490 x 0.276"
- Recording File Container Size (pixel)
- 4.6K 3:2 Open Gate: 4.6K (4608 x 3164) 4.6K 16:9: 4.6K (4608 x 2592), 4K (4096 x 2304) 4K 16:9: 4K (4096 x 2304), UHD (3840 x 2160), 2K (2048 x 1152), HD (1920 x 1080) 4K 2:1: 4K (4096 x 2048) 3.8K 16:9: UHD (3840 x 2160) 3.3K 6:5: 3.3K (3328 x 2790), 3.8K (3840 x 1608) 3K 1:1: 3K (3072 x 3072), 3.8K (3840 x 1920) 2.7K 8:9: UHD (3840 x 2160) 2K 16:9 S16: 2K (2048 x 1152)
- Recording File Image Content (pixel)
- Identical to Recording File Container Size
- Dynamic Range
- 17 stops
- Exposure Index
- Adjustable from EI 160 - 6400 in 1/3 stops
- Shutter
- Electronic shutter, 5.0°- 356° or 1s - 1/8000s
- Recording Formats
- MXF/ARRIRAW* MXF/Apple ProRes 4444 XQ MXF/Apple ProRes 4444 MXF/Apple ProRes 422 HQ
- Recording Media
- Codex Compact Drive 1TB (CA08-1024) Codex Compact Drive 2TB (CB16-2048) Codex Compact Drive Express 1TB (CP08-1024)
- Recording Frame Rates
- ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps ARRIRAW 4.6K 16:9 - 4.6K: 45 / 75 fps ARRIRAW 4K 16:9 - 4K: 55 / 120 fps ARRIRAW 4K 2:1 - 4K: 65 / 120 fps ARRIRAW 3.8K 16:9 - UHD: 65 / 120 fps ARRIRAW 3.3K 6:5 - 3.3K: 55 / 100 fps ARRIRAW 3K 1:1 - 3K: 55 / 100 fps Apple ProRes 4.6K 3:2 Open Gate: 60 / 60 fps Apple ProRes 4.6K 16:9 - 4K: 75 / 75 fps Apple ProRes 4K 16:9 - 4K: 100 / 100 fps Apple ProRes 4K 16:9 - UHD: 120 / 120 fps Apple ProRes 4K 16:9 - 2K: 120 / 120 fps Apple ProRes 4K 16:9 - HD: 120 / 120 fps Apple ProRes 4K 2:1 - 4K: 120 / 120 fps Apple ProRes 3.8K 16:9 - UHD: 120 / 120 fps Apple ProRes 3.3K 6:5 - 3.3K: 75 / 75 fps Apple ProRes 3.3K 6:5 - 3.8K 2.39:1 Ana. 2x: 90 / 90 fps Apple ProRes 3K 1:1 - 3K: 90 / 90 fps Apple ProRes 3K 1:1 - 3.8K 2:1 Ana. 2x: 100 / 100 fps Apple ProRes 2.7K 8:9 - UHD 16:9 Ana. 2x: 100 / 100fps Apple ProRes 2K 16:9 S16 - 2K: 120 / 120 fps (Compact Drive 1TB / 2TB)
- Recording Modes
- Standard real-time recording Pre-recording*
- Viewfinder Type
- Multi Viewfinder MVF-2 with 4" flip-out touchscreen monitor
- Viewfinder Technology
- OLED viewfinder display LCD flip-out monitor
- Viewfinder Resolution (pixel)
- OLED: 1920 x 1080
- Viewfinder Diopter
- Adjustable from -5 to +5 diopters
- Color Output
- 1. ARRI Color Management Display Render Transforms: - Rec 709 - Rec 2020 - Rec 2100 PQ - Rec 2100 HLG 2. LogC4 3. Custom Color Management*
- Look Control
- ARRI Look File ALF-4: - Import of custom 3D LUT - ASC CDL parameters (slope, offset, power, saturation) ARRI Look Library* ARRI Textures*
- White Balance
- Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps Color correction adjustable range from -16 to +16 CC 1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
- Filters
- Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8 Fixed optical low pass, UV, IR filter
- Image Outputs
- 2x VF custom CoaXPress connectors for MVF-2 viewfinder 2x 12G SDI (BNC): 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD
- Lens Squeeze Factors
- 1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00*
- Exposure and Focus Tools
- False Color Zoom Aperture and Color Peaking
- Audio Input
- 1x LEMO 6pin balanced stereo line in with 12V power output (line input max. level +24 dBu correlating to 0 dBFS) Two built-in microphones for scratch audio With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES) With LPS-1 Fiber Camera Adapter FCA-1: additional 2x TA3 connectors (MIC/Line, +48 V, AES)
- Audio Output
- SDI (embedded) 3,5mm stereo headphone jack (on MVF-2)
- Audio Recording
- 4 channel linear PCM, 24 bit 48 kHz
- Remote Control Options
- MVF-2 viewfinder as wired remote control with 10m/33ft cable Camera Control Monitor CCM-1 Camera Companion App ARRI Electronic Control System (ECS) Web-based remote control via Ethernet & WiFi (beta version) Camera Access Protocol (CAP) via Ethernet & WiFi GPIO interface for integration with custom control interfaces Skaarhoj Remote Control Panel
- Interfaces
- 1x LBUS (LEMO 4-pin) for lens motors, daisy chainable 1x SERIAL (LEMO 4-pin) for distance measuring accessories 1x TC (LEMO 5-pin) for timecode In/Out 1x ETH (LEMO 10-pin) for remote control and service 1x SYNC IN (BNC) for Genlock synchronization 1x RET IN (BNC, switchable on SDI 2) 1x USB-C for user setups, look files etc. 1x Rear Interface (18-pin Pogo) for connection of modules and battery adapters
- Wireless Interfaces
- Built-in WiFi module (IEEE 802.11b/g) Built-in White Radio for ARRI ECS lens and camera remote control
- Lens Mounts
- ARRI LPL Mount (LBUS) ARRI PL-to-LPL Adapter ARRI PL Mount (LBUS) ARRI PL Mount (Hirose) ARRI EF Mount (LBUS) Leitz M Mount for ARRI
- Flange Focal Depth
- LPL mount: 44 mm PL mount: 52 mm
- Power Input
- 1x PWR (LEMO 8-pin) 1x BAT (camera rear interface / battery adapter) 20.5 - 33.6 V DC
- Power Consumption
- ~ 90 W (Camera body and MVF-2)
- Power Outputs
- 1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse 1x 12 V (LEMO 2-pin) for 12 V accessory power out 1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable 1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out 1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap With LPS-1 Fiber Camera Adapter: additionally 1x 24 V and 3x 12 V
- Measurements (HxWxL)
- 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0" (camera body with LPL lens mount)
- Operating Temperature
- -20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics, IP 51
- Storage Temperature
- -30° C to +70° C / -22° F to +158° F
- Sound Level
- < 20 dB(A) at 30fps, recording 4K 16:9 - UHD, Apple ProRes 4444 XQ, ≤ +30° ambient temperature
- Software Licenses
- ALEXA 35 Premium License ALEXA 35 Look License ALEXA 35 ARRIRAW License ALEXA 35 Open Gate/Anamorphic License ALEXA 35 Highspeed License ALEXA 35 Pre-record License ALEXA 35 Multicam License (optional) *Feature requires licensing and is not initially activated in the ALEXA 35 with Base License
Documents
- DatasheetLogC False Color - Specification This document describes the computation and application of False Color tables for the ALEXA series of digital cinema cameras to LogC encoded signals.
- DatasheetLogC4 - Specification Description of the ARRI LogC4 logarithmic curve as part of REVEAL Color Science.
- Quick startALEXA 35 - Getting started in Workflow & Post Initial information on the ALEXA 35 workflow.
- Quick startALEXA 35 - Shooting in Low Light - Quick Guide
- Quick startARRI Reference Tool - User Pixel Mask - Quick Guide Quick Guide for creating an User Pixel Mask (UPM) in our ARRI Reference Tool (ART).
- Quick startARRIRAW HDE Transcoder 1.6.1.24 Quick Guide
- Quick startCamera Control Monitor CCM-1 Anamorphic De-squeeze Quick Guide Anamorphic de-queeze of all incoming video with the push of a button. Here's our quick guide!
- DrawingLUT Naming Convention LogC4 and LogC3 - Guideline Explaining the LUT namings of our offical LogC3 and LogC4 3D LUT files.
- BrochureALEXA 35 - Brochure
- BrochureProduct Highlights and Solutions, April 2024 | Brochure
- BrochureSDI Metadata - White Paper This document shows how to read the extended metadata in the SDI signal for all current ARRI digital cameras (ALEXA 35, ALEXA XT, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA Mini LF
- DocumentALEXA 35 - ARRI Textures Information about and sample images of ARRI Textures.
- DocumentALEXA 35 - Recording Formats Poster
- DocumentALEXA 35 Menu Settings Chart SUP 1.2.1 Menu Overview
- DocumentARRI Formats and Resolutions Overview V6.3 A detailed overview of all possible recording resolutions of ARRI digital cameras ranging from ALEXA 35 Xtreme, ALEXA 35, and ALEXA 265 to ALEXA Classic.
- DocumentColor workflows for mixing ARRI LogC3 and LogC4 incl. Sample Projects - Workflow Guideline Workflow Guideline for mixing ARRI LogC3 and ARRI LogC4 in color grading.
- DocumentHow to create an ARRI Look File 4 - Workflow Guideline Technical Information on the new ARRI Look File 4 and how to create an ALF4 or ALF4c file to use in ALEXA 35, ALEXA 35 Xtreme, or ALEXA 265.
- DocumentHow to set up Pomfort Livegrade for ARRI Cameras - Workflow Guideline Workflow Guideline for set up Livegrade and ARRI Cameras
- DocumentOCF in Adobe Premiere Pro - Workflow Guideline Workflow Guideline for using our Original Camera Footage (OCF) in Adobe Premiere Pro.
- DocumentSupporting Tools & Software ALEXA 35 Xtreme This overview is work in progress and will be updated continuously.
- DocumentWireless Video Optimized (WVO) LogC4 - Technical Note An Intermediate Encoding for ALEXA 35 and ALEXA 35 Xtreme SDI Outputs Technical Note
Documents are hosted by the manufacturer; these are links to their files.